Steampunk October: Book Series Rec

One response I got to my last blog post celebrating steampunk was a recommendation for the The Parasol Protectorate book series by Gail Carriger (http://gailcarriger.com/), and I did mention this was interesting yesterday due to her position as one of a handful of female writers in the genre.  While I haven’t read her series yet myself, it does come highly regarded and well-reviewed. I find her background in archeology particular interesting, as that’s one element of steampunk cosplay to which I’m inexplicably drawn; if I ever were to go full bore with dressing up at a con, I’ve often thought I would go with a kind of “lady Indiana Jones” sort of thing, complete with pith helmet and jodhpurs.

The first book in the Parasol series, Soulless (2009, Orbit) was nominated for a Locus Poll Award. Reviews of her work frequently cite her use of witty wordplay, another favorite device of mine. Too much steampunk, I fear, is deadly serious, or can be if it tends to emphasize the science more than the characterization, and I think that’s something Carriger is managing to avoid. I’m excited to check out her work.

If you have more book recs, please send them my way in the comments or send me a reply on Twitter (@kwtaylorwriter).

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Steampunk October: What the Heck is Steampunk Anyway?

Steampunk is a subgenre of science fiction involving a reimagining of the late Victorian era as a time of innovation powered by extant technology, such as steam, clockworks, repurposed mechanical items, and is at times also infused with either time travel or “scientific romance” in the style of H.G. Wells or Mary Shelley or even the trajectory of romantic horror moving from Poe to Lovecraft into the early twentieth century pulp fiction auteurs. There are also variations on these ideas that set the action in either other dimensions, universes, or the future, though there is usually still a strong Victorian aesthetic at work. Steampunk visual style has much in common with the gothic subculture of the 1970s-1990s, though there is a sense of optimism and whimsy that was often lacking at the height of popular culture goth ideology (and I say this as a recovered goth). Cosplay, music, and art are huge components of the steampunk movement, though the heart and soul of steampunk remains the literature, television, and film.

Authors with multiple works on lists of “best of steampunk” include K.W. Jeter, Michael Moorcock, James Blaylock, China Miéville, Toby Frost, Chris Wooding, and Gail Carriger. Carriger is notable for being one of the only women on such lists, because despite the aesthetic of the movement being very popular with female fans, there is a distinct lack of female voices on the literary side of things. This is a shame, because many female-centric media properties with strong steampunk influences exist outside of the hard-SF realm (Alias, Firefly, and Doctor Who come to mind, all of which feature incredibly strong female characters and had many women on the writing staffs) but don’t seem to have fully proliferated the literature.

Later this month, I’ll give some more steampunk literature recommendations and discuss my steampunk series The Curiosity Killers.

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Side Notes: Projects in Progress

I’m doing research on my steampunk blog series, but in the meantime I thought it important to give a brief update on projects I have in progress. Other than the reprint of my novella, it looks to the outsider that I have nothing new going on, when in fact I do! Here’s some exciting things on the horizon for the rest of 2012 and into 2013:

  • I have three totally brand new stories coming out before the end of the year, one of which made its debut at the latest edition of Ghostlight Lit. They’re all horror tales, and yet they’re all very different. Think of this as my triptych of  vampire, werewolf, and ghost stories. Exciting stuff, if I do say so myself!
  • Two of my novels (both NaNoWriMo novel projects, I hasten to point out!) are currently under consideration with publishers. Can’t predict what will happen, but there it is. Both urban fantasy, both incredibly funny, very Whedon/Butcher-esque stuff.
  • My short story collection Grinning Cracks should still be out by the end of the year if I can find even one free hour to finish proofing final galleys.
  • I’m about thirty hours from finishing the editing process on Virginia Bower’s novel The World’s Your Jail. Once I can talk about this in more detail, you’ll understand how deeply personal a project this is. I really want to do it justice, but I also have only a few hours a week to put into it. I’d hoped this would come out by the end of 2012, but now I’m thinking the beginning of 2013 is more likely. Finishing the work on this is why I’m not doing NNWM myself this year.
  • I have a piece in a women’s fiction holiday anthology. More news on that as it happens, but this is the “literary fiction” side of the fence, all dramatic and realistic and whatnot. I know you guys are really here for the dragons and stuff, but this one is really cool, I promise!

So there you have it. Irons are in the fire! Perhaps this entire entry is just to reassure myself whenever it seems like nothing is going on, it actually is.

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Publication news

I’m dutifully working on some posts about steampunk as promised, but in the meantime I want to announce that the Etopia Press horror anthology Touched by Darkness, which includes my novella We Shadows Have Offended, is now available in both ebook and paperback!
Kindle: http://www.amazon.com/Touched-Darkness-Twelve-Inside-ebook/dp/B0099TS99W/ref=sr_1_1?ie=UTF8&qid=1350079233&sr=8-1&keywords=touched+by+darkness

Nook: http://www.barnesandnoble.com/w/touched-by-darkness-annie-melton/1112860731?ean=2940015281910

Paperback at Amazon: http://www.amazon.com/Touched-Darkness-Various/dp/1937976920/ref=sr_1_9?ie=UTF8&qid=1350079291&sr=8-9&keywords=touched+by+darkness

Paperback at Barnes & Noble: http://www.barnesandnoble.com/w/touched-by-darkness-various/1113145424?ean=9781937976927

Pick this up today! Etopia Press is a fabulous publisher, and they’ve done a wonderful job with this anthology, if I do say so myself.

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Steampunk October: Preface (and news updates)

Last weekend, I went to Pandoracon, a new multi-fandom convention with a steampunk bent to it. I’ve been to probably four different “brands” of science fiction/gaming/fandom conventions at this point, but I’m only just now getting kind of into the steampunk scene, as it were. As a recovered goth, I must say I find the neo-Victorian elements the most appealing part of the cosplay and literature, and I do enjoy the optimism and dedication to research that steampunk engenders in its fans. I would also hasten to say that my multi-part story series The Curiosity Killers (which I hope to turn into a composite novel) is something I’d definitely call “steampunk inspired.” Over the next month, I’ll be shining a spotlight on both steampunk in general and how my story both differs and adheres to various steampunk elements. For now, I’d love to hear about people’s favorite steampunk-inspired television, film, literature, music, and artworks. What do dedicated steampunks think are seminal works that one should become acquainted with in order to fully appreciate the genre?

In other news, if you’re local to the Dayton, Ohio area, please come to Ghostlight Coffee this Sunday, October 7th at 7:30 pm for the next installment of GHOSTLIGHT LIT. Ten authors will be reading horror stories in anticipation of the Halloween season getting into full swing. I’ll be serving as M.C. once more and debuting a little flash piece that hasn’t even been published yet. We’ve got a great line-up of poets and fiction authors, so grab a warm latté and settle in for some scares!

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Ten Tips for Getting Through NaNoWriMo without Losing Your Mind (Part X–the conclusion!)

This is the last in my series on NaNoWriMo! I hope this has been helpful and inspirational. I strongly encourage anyone considering participating in National Novel Writing Month this November to read Chris Baty’s excellent book, No Plot? No Problem! for even more helpful tips.

10. When the clock strikes midnight on December 1st, you’re done, whether you finished your 50,000 words or not and whether your story ended at that 50,000 word mark or not. Congratulations, no matter how you did! And realize that what you produced, I’m sorry to say, is not good. It’s not a finished product. It’s a hurried exercise is quantity over quality, and that’s okay. It’s all about the process, after all, and it’s all about establishing a writing discipline. A professionally written, edited, purchased and further edited and published novel takes far, far longer than thirty days to create, regardless of the author, the publisher, and the editing team. It’s just a fact of the business and the art form. No matter how tempted you may be by today’s technology, do not hit “submit” on a self-publishing platform with this first draft of this first book that you wrote in thirty days. It isn’t even the best version of this particular work you could produce. Set your manuscript aside for another month at the very least and return to it in January or February with clearer eyes and a healthy supply of red pens. Show the draft to multiple people. And then once you and all your beta readers have had a go at it, fix it. Fix it lots. If you still want to seek publication, go for it, but it should be your second, third, fourth draft, and it should probably be longer by at least ten or twenty thousand more words, minimum. It’s also okay if this first effort never gets farther than your own computer. The point is the work itself, the practice, the exercise. The point is that now you can say the following: you wrote a novel in thirty days, or you made the attempt. You know that about yourself now. What are you going to do with that knowledge? How will you let this shape your writing life going forward? And are you going to give it another shot next year?

Check through my other writing advice tags for the entire series and other pointers for making your fiction better.

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Ten Tips for Getting Through NaNoWriMo without Losing Your Mind (Part IX)

9. Visualize your scene. Don’t skimp on detail. Some of the most beautiful prose is that which sets the stage so well that the reader feels like they’re watching a film. Do this in your own mind. Give us all five senses. What do you see, smell, taste, hear, touch? How does the season affect the weather? Is it autumn? Is there the subtle scent of wood burning in the air? Is that something you can almost taste as you move through the space? What is the light doing? If you’re feeling really stuck here, go outside (or go to an interior space that’s similar to the one you’re describing), and do a freewrite on every detail around you. How do shadows play against the walls? What is the exact color of the sky at the horizon? At the uppermost part of the sky? What is the sun or moon doing? Are there animals anywhere? How does the carpet feel under your hands or your feet? Is the room dusty? What if you were describing the room as part of a police investigation? What does the room tell you about its inhabitants and their lives? Don’t be stingy. Let it all flow and continue to be in this habit of noticing everything so that when it comes time to inventing these details in fiction, you’ll have a wealth of things to draw from.

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Ten Tips for Getting Through NaNoWriMo without Losing Your Mind (Part VIII)

8. Reread. This may seem like a waste of time, but if you’re feeling spectacularly stuck, reread previous pages and consider adding detail. This is not “padding,” which I find such an ugly term anyway. I prefer to think of it as “fleshing things out.” Don’t always resort to this and don’t always spend hours and hours looking backward, as the whole point of NNWM is to plunge bravely ahead no matter what. But if you really feel like your plot needs help, adding things in earlier can give you more places to go later.

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Ten Tips for Getting Through NaNoWriMo without Losing Your Mind (Part VII)

Two tips today, as a little bonus since I haven’t updated this list in a while!

6. Write a poem in a very formal style from the perspective of each of your main characters at the moment you’ve left off with them. Something short, like a haiku or a sonnet. Sometimes working in a different genre can get you out of the rut of prose and force your perspective to shift, even if only temporarily.

7. Engage in ritual behavior. I’ve seen this suggested in countless other places as a cure for writer’s block in general, but this could be especially helpful when you’re engaged in an already overly routinized writing exercise, which is ultimately all NNWM really is. If you’ve already set aside a specific time of day for writing, as I suggested in earlier entries, then divide that writing time even further by setting little alarms and doing a specific action at the end of that smaller period of time. Write for 20 minutes, do 5 pushups. Write for 20 minutes, eat an M&M. Write for 20 minutes, walk up and down your stairs twice. Whatever it is, this little micro-break will serve a couple of purposes. First, it makes your writing time seem even less intimidating. You think an hour sounds tough? Well, 30 minutes is way easier, and 15 is even easier still. The physical action or activity will also allow you a second to breathe, to stretch, to clear yourself out of your intensity space and come back with just a tiny bit fresher perspective. Also, you may find that some days your ideas are flowing so well that you hear the alarm sound and you opt not to take that micro break, that you’re too invested in what’s going on with your plot, and you just plunge ahead. It’s kind of like getting awakened ten minutes before your morning alarm goes off. Some days, you’ll decide to just go ahead and start your day ahead of the game, and some days you’ll decide you’re glad you woke up because you’ll appreciate that extra bit of sleep. Either way, you’ve been jostled a little and can make that decision on your own based on your specific needs. Personally, my back and neck usually need a second every so often to move and shift, and I’ll grab a yoga pose or a drink of water or just do some mindful breathing. Whatever I do, I return a minute or so later feeling just a little refreshed.

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Ten Tips for Getting Through NaNoWriMo without Losing Your Mind (Part VI)

5. Try a support team. The NaNoWriMo forums have lots of threads during November for “word sprint” challenges where you’re tasked with dashing off a certain number of words in certain number of minutes and then reporting back on how you did. These can be incredibly motivating. Another motivator could be meetups or bootcamps, where you meet either in person or virtually and hold each other accountable for your word count, or at least report on your word count at the end of your day or week. Writing support groups are incredibly important for a variety of reasons, but they can be especially motivating during NNWM season. Even if you’re not discussing the content of your work too much with your accountability crew, at least you’re commiserating on the basics. Did you get done what you said you would? If not, you have a few friends who will duly embarrass you enough that next time you’ll want to get the job done. If you know you have the psychological homework of having to tell people whether you met your goal or not, you might be that much more likely to do so.

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