New short story collection finally released!

My long-awaited short story collection, Grinning Cracks, has finally been released. This was a long road and went through lots of delays, but it’s finally here. I have to give some public thanks to poet Erica DeWeese and author/game designer Michael Burnside for providing some last-minute poring over eleventh-hour proof pages for me. By the end, I felt like I’d looked at that copy so much I just couldn’t it in anymore.

That’s not to say I’m not immensely proud of this collection. Think of this as an uber-chapbook, if you will. It includes my weirdest stories, my most experimental stuff that is light  years from the more mainstream urban fantasy and science fiction I write. If you want horror or dark fantasy, this is the place to get it. 29 stories, some of them previously published but many of them brand new, and all for only $6.99 print or $5.99 ebook!

I may do a few tiny local signing events for this collection; we’ll see. In the meantime, buy it now in print via Amazon (Prime members get a few cents off the cover price! Woo!). Ebook also available for $5.99; this should also be orderable in print at your local bookseller, if all the publishing wizards got their little acts together.

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Another SIDEKICKS! Event

Recently I participated in a reading and signing of copies of Sidekicks!, the new anthology that includes my short story “Doomed.” The event went spectacularly and was very well attended. Another one is coming up on June 8th in Columbus (Facebook event and details here).

This is going to be a great time, if the previous reading in Centerville was any indication, and even though I’m in this collection, I have to say this book is wonderful. It’s getting some decent reviews and each story is really well-plotted and brings something new to the theme. Pick up a copy!

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Random new interesting steampunk thoughts…

Just had some fabulous comments on one of my older steampunk-related posts, “Is Doctor Who Steampunk?” (10/22/12). I encourage you to check out the new comment thread.

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Life interfering with art

Busyness has caused me to delay my new short story collection, Grinning Cracks, several times. Originally, I had hoped this would come out over the summer, then pushed it to fall, then the holidays, and now we’re looking at March. Fortunately, as this is a small-press publication and the goal is to release the best product possible no matter the time frame, I have some wiggle room here. As life caused me to have to push this and other writing and editing projects back, I had the luxury of putting this collection on the back burner until I could get a better handle on my free time.

But there’s the rub. There is no such thing as truly free time, even if you’re spending an hour doing little more than staring at a wall. Sometimes you need to spend an hour staring at the wall because things are hectic and insane and you need some time to meditate on your place in the universe or something. The human brain can only process so much; stress and overextension are very real things. If you truly spend days, weeks, even months not writing because to do so would be to add one more item to an already over-full calendar, then by all means, don’t write. It’s okay.

Still, the whole concept behind NaNoWriMo and other such challenges is that not writing is, at its core, an excuse. An excuse to not indulge your creative side. An excuse not to risk failing at a project. An excuse to procrastinate or needlessly worry about things unrelated to writing. Basically, the lack of desire to write could indicate a whole lot of things, including but not limited to a serious problem of lack of enthusiasm for beloved activities, which is a symptom of something more serious. If you’re a writer who writes and writes constantly and you’re suddenly no longer inclined to do so? Something is stressing you out, probably.

Or maybe you’re not a writer. And that’s okay.

There are folks who think they’re writers but who actually aren’t. They’re in love with the idea of writing, the romance of living in a garret and pounding away on a keyboard to acclaim that only greets their reputation after their tragic death. Or they’re sure there’s a fast-track to fame and money, not realizing that, no, not everyone is going to be J.K. Rowling, especially these days, and that if you’re going to still go for it you have to love the process.

I can’t say that enough: you have to love the process. Because sometimes the process is the only reward for this endeavor.

With getting my short story collection released, most of the process part of things is long done and it’s just the proofreading part I’m hung up on, the final approval of formatting and putting the finishing touches on things. I’m not particularly worried that this lull in my output is because I don’t still love the process. In fact, I’m comforted by the fact that I’m not as worried about getting the final hard copy out there and in people’s hot little hands. For this very personal collection, the process of composition really was my best reward; everything else is icing on the cake.

That said, March. I promise. No later than March.

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Endorphins and Creativity

There was a study conducted by multiple British universities in 1997 that established that both mood and creativity are enhanced by physical activity. A quick review of what endorphins are responsible for would seem to support this. I’m not a doctor or scientist, admittedly, but I am a creative person as well as a person who is occasionally prone to feeling blocked in my creativity. I spoke about the benefits of yoga on one’s writing (and vice versa) recently, but much of yoga’s benefit is meditation-based. If you also want to release feel-good hormones and get your creative juices flowing, just thirty minutes of cardiovascular exercise is the way to go.

As we hit the midpoint of NaNoWriMo, you may be racking your brain for ideas. Why not take a stroll around the block and do a few sun salutations? It can’t hurt, and more likely than not, it’ll actually help.

 

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Five Things Yoga Has Taught Me About Writing

This is a series I wrote about a year ago when I was blogging exclusively on a different platform. I’m migrating it over here, as I’ve been thinking a lot lately about how exercise and meditation can help one’s creativity and thought it could be helpful. Since I first wrote this, I’ve made a lot more progress on publications and novel writing, yet I’ve somehow gone backward with my yoga practice. This is a reminder for myself as much as for any readers out there that a balance between the intellectual and the physical is incredibly important if you want to grow, change, and deepen as a complete person. Yoga is not the only path toward this integration of body, mind, and spirit, however, and in the coming weeks I’ll be writing more here about other ways to reduce stress and enhance creativity through exercise.

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I’ve been a practicing yogini since the mid-1990s, even before I knew I wanted to be a professional fiction writer. Back then, I mostly worked with videos (and yes, I mean actual VHS tapes!), but I did take the occasional short-term class in a variety of styles. My favorite styles usually focused almost entirely on flexibility and didn’t deal much with either the other physical benefits (aerobic and strength) or the philosophical, spiritual, or psychological advantages of a regular yoga practice. It’s only been in the last few years—as both my yoga and my writing has become more serious—that I’ve begun to see the ways in which each supplement and help the other…and about life in general.

The current state of both my yoga practice and my writing could be described as semi-professional. I’m now at a stage with yoga where I’m deeply immersed in working with several teachers of different styles (all of whom I love), and I’m researching teacher training options so that I can eventually teach yoga part-time. With my writing, I’m also feeling very semi-professional. I have lots of short pieces published but nothing full-length, though I have several novels almost completed. I see my yoga teacher training possibly coming through at the same time I sell my first novel, as these two creative outlets in my life seem to keep flowing together so beautifully.

1. Be willing to hurt. Yoga poses are strenuous. Sometimes the asanas are uncomfortable when we’re not familiar with them. But they end, even the hard ones. When you’re struggling with getting something published, you feel desperate, anxious, and alone. When doing a tough pose or waiting for an answer on a story I’ve sent off to a market, I always remind myself that the tough part will be over soon, and I will be stronger for it. The difficult asana taught me something about my body’s mechanics. When a story is having a tough time selling, I revise with each rejection and make a better story in the end. In both cases, I have learned through the pain.

2. Be mindful of your breath. Breathing is the ultimate relaxation tool. When writing, taking a breath (physical/literal or metaphorical) can refresh you. There is a reason pranayama works: it forces you to bring your mind back to the present moment and set aside other concerns. Sometimes it’s just a lack of focus that is causing writers block.

3. Be flexible. An editor tells you to cut something, you cut it. Your yoga teacher tells you to try upward-facing dog, that he thinks you’re ready for it, you try it.

4. Be here now, wherever that is. The current piece is the most important one. The current pose is the only one that matters. When you write in one genre and feel you’ve mastered its conventions, it doesn’t mean you’ve mastered the conventions of all genres. Doing a beautiful Warrior I pose with perfect alignment does not mean you’re a master of the full lotus. Your abilities and talents are individual based on what you’re doing. This teaches you to have goals, and also to exhibit humility. We do not learn all of the yoga; we continue to practice it as students, even if we teach it. So, too, a writer is always practicing her craft, never fully perfecting it, and even when teaching it is simply working on it with students. In both cases, sometimes the student teaches the teacher, which beautifully illustrates some of the tenets of karma yoga.

5. Be the strong creature you already are. As in tree pose, you must bend and sway without falling, but even falling involves simply readjusting yourself. Writers must weather the winds of rejections and reviews and dry spells and writers block, but it in no way diminishes you as an artist or yoga student.

Ultimately, the most important thing about both yoga and writing is to do each every day to keep the body and mind limber. Namaste.

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NaNoWriMo advice in one handy spot!

Since we’re now in the thick of NaNoWriMo (and thanks to a helpful tipster who reported that my advice posts are being picked up by bloggers, tweeters, and authors), I thought I would link to each part of my ten-part NaNoWriMo advice series in one handy spot.

Part One: Introduction

Part Two: Brainstorm your protagonist before the beginning of November

Part Three: Write what you know

Part Four: Keep the word count in mind

Part Five: Catch up on the weekends

Part Six: Get some cheerleaders

Part Seven: Freewrite in a different genre; engage in ritual behavior and reward systems

Part Eight: Reread and flesh out

Part Nine: Visualize your scene

Part Ten: You’ve got a lot of editing to do!

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Steampunk October: The Curiosity Killers

Here we come to the end of the October celebration of steampunk. I still have more researching and work to do to get deeper into the genre, both as a writer and a fan, but it’s a work of my own that inspired this month’s entries. In the spring of 2011, I began work on what I thought would be a one-off short story entitled “The Curiosity Killers.” I hadn’t intended for it to be steampunk, I hadn’t intended for it to turn into a series or a novel, and I didn’t even really have plans beyond submitting it to a contest. Nineteen months later, I’ve created an entire futuristic, neo-Victorian  society with time travel capabilities. This landscape is not precisely post-apocalyptic: the action is set in an America that is now two distinct nations, both of which have re-steeped themselves in technology, fashion, and manner of speech more akin to 1900 than 2100. In Avon, Vermont, a small town in the New British Empire, a young man named Ben Jonson opens a travel agency. What the public doesn’t know is that his clients don’t travel in space but in time.

If you like history, typewriters, the Wright Brothers, Ripperology, descriptions of sumptuous buildings with grand fireplaces, comedy, romance, and unsolved mysteries, you might enjoy this series. Thus far, it consists of two completed stories (“The Curiosity Killers” and “Xenos”) which are included in my upcoming short story collection Grinning Cracks. A third story, “The Wright Machine,” is in the works, and ultimately I hope to turn this into a composite novel (a novel comprised of linked but mostly freestanding short stories). Fans of things like Alias, Fringe, and Doctor Who might find my worldbuilding interesting, but ultimately it’s the characters that I hope make this a work worth caring about.

For me, science fiction needs as healthy a dose of the fiction part as the science part in order to be compelling, and good fiction is static and bland if it doesn’t include engaging characters. Furthermore, time travel with a steampunk aesthetic is perhaps the most fascinating variant of this new genre, and by setting The Curiosity Killers predominantly in the near future, the baggage of accurate Victorian-era research is eliminated. This is a reimagined landscape where clockwork automatons sit alongside the remains of iPads, where mad scientists inhabit velvet-draped townhouses and political machinations have become complex and unfamiliar. And yet what permeates this world is the title quality: curiosity. Without it, humanity is doomed to fail to move forward in scientific inquiry, thereby rendering life without purpose.

For a taste of the first story, you can find it in the spring 2012 issue of the Wordriver Literary Review (http://wordriverreview.unlv.edu/). Look for Grinning Cracks coming later this fall from Dioscuri Books.

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Steampunk October: Neo-Victoriana and Politics

In the Wikipedia page on Neo-Victorianism (http://en.wikipedia.org/wiki/Neo-Victorian) there’s a passing mention of social conservatives being drawn to Victorian aesthetics, as discussed in Linda Lichter’s The Benevolence of Manners: Recapturing the Lost Art of Gracious Victorian Living. However, as the article points out, that is specifically calling for a return to Victorian morality. If we’re discussing simply the fashion, the manners, the art, literature, and theatrical traditions of Victorian society, there’s no need—in my estimation—to draw favorable comparisons to social conservatism. One societal trend from the turn of the twentieth century that I frequently discuss when wearing my teacher hat rather than my writer hat is the shift from Victorian to Edwardian society, and how it ushered in huge changes in mores and attitudes about inter-socioeconomic socializing. (I usually discuss this as part of a unit on E.M. Forster, who is the human embodiment of Victorian-to-Edwardian cultural changes; and as a closeted gay man, he wasn’t too crazy about Victorian morality.) Furthermore, when you apply Victoriana to steampunk, steampunk is all about enlightenment, science, exploration, and optimism. Not that you can’t be politically conservative and be interested in steampunk, but when you have a patina of science enthusiasm on something, it doesn’t always fly with today’s variant of the right wing.

Perhaps, ultimately, Neo-Victorianism is the one place where both liberals and conservatives can create some compelling art. By deconstructing a socially conservative time, can you cause your reinterpretation of it to unpack some of the oppressive baggage caused by that time period originally? And if you do indeed enjoy the fact that the actual Victorian period was so much more literally “buttoned up,” can you hold that period in high esteem without also praising its failings too much? Ultimately I think there’s room for lots of divergent voices in the genre.

If you’re open-minded enough to wear bustles in public and imagine a sky full of airships, I think you’re open-minded enough to accept each other’s differences of political opinion.

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Steampunk October: Is Doctor Who Steampunk?

Doctor Who is not entirely a steampunk show, nor has it ever been. Still, the element of time travel is one that steampunk often employs, and what television program is more time travel oriented than Doctor Who? To that end, Doctor Who winds up having steampunk elements in it as the aesthetic of time travel media and fiction have changed and grown more steampunk-oriented. There are artists devoted to creating steampunk-esque Who costumes and props. The TARDIS itself in its Eighth and Eleventh Doctor years has sported more of a gears-and-machinery look and a more Victoriana-influenced look (sandwiching a rather living-organic spaceship style used by the Ninth and Tenth Doctors that was more Farscape than steampunk). In the era of “new” Who (2005 and beyond), there have been clockwork robots, steamships, and absinthe-soaked romps through 1890s Europe. The Eighth Doctor looked quite like Lord Byron and even had his own Frankenstein’s monster-style regeneration (though it’s a bit early in the Victorian era, there is definitely an affinity amongst some steampunk afficianados for the Byron/Shelley literary group). And even in its older eras, Doctor Who has employed an aesthetic full of clocks and levers, hourglasses and flowing frock coats. If we one day found out that the TARDIS itself somehow ran on water vapor, I doubt any fans would be terribly surprised.

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